Uncategorized

The Unmapped Woman is born

Delighted to tell you The Unmapped Woman is now out from Nine Arches Press. The brilliant delivery man popped the box of books on my doorstep and here she is in all her glory…

book

A little bit of blurb from my amazing publisher, Jane Commane:

“This new collection explores the altitudes of loss and trauma, mapping the stark new territory that loss leaves behind and the landmarks of recovery and survival.

Several lives and life-changing themes cross paths in this clear-sighted and profound book, and Morley’s adept and courageous poetry guides us through the wooded shades and raw coastlines, dauntless: “Bear with me. I can take nature, let wind whip our faces”. From the hollowing of the empty place and the five stages of grief, these resolute poems with their mettle and wholeheartedness, chart their remarkable, bold course towards the voicing of a song, the light of the next day.”

um

Copies are available from Nine Arches Press and signed copies from thepoetryshed@hotmail.com

There’s an In Conversation on the Nine Arches blog about the poem Daughter bulb and it is one of the poems I am reading here….

“In The Unmapped Woman, Morley writes with astonishing technical virtuosity as she searches for recovery through art. As in her previous poems, water is a recurrent motif and the emotional core of the collection. Narrative and emotion are compressed within the single telling image, and the spaces between words, lineation and enjambment recollect the lost presence from where the poems emerge. George Eliot reminds us that ‘there is a great deal of unmapped country within us which would have to be taken into account in an explanation of our gusts and storms’. If Eliot seems to imply that what is most distinctive remains hidden, Morley speaks in a voice that is eloquent and precise as she seeks to understand what happens to the vanished.” – Nancy Gaffield

“Abegail Morley is a natural poet. Each poem seems exhaled in a single necessary breath as she unflinchingly addresses traumatic events. Her language is fresh, fluent and unadorned, with strikingly accurate images, and endings that make the reader re-consider the whole poem. The loss of a baby, suicide of a loved one and the concomitant depersonalisation of the self that dealing with such grief brings is covered with a magical lightness of touch. This is a highly talented, original voice well worth listening to.” – Patricia McCarthy

The Unmapped Woman transports you deep under the surface of a life, to places too often skimmed. In it we find the grief we wear like a sweater, the fragile expectancy of motherhood in which, “I don’t know / which one of us is the honey, which the bee, / or who has the nectar we drink so deeply.” (‘Daughter Bulb’), the ghosts that haunt us, and the beauty that ambushes us. This collection, its probing intensity, is reminiscent of contemporary American masters like Louise Glück, Sharon Olds, and Carolyn Forché, yet decidedly British in tone. Morley knows exactly what she is doing here. The work stays with you, like “the way he planted a word in her mouth / to germinate after he’d gone.” (“The hollowing of the empty place”) These are poems to live with–tight as the skin of a drum. – Robert Peake

 

4 thoughts on “The Unmapped Woman is born”

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s