Uncategorized

INDIGO DREAMS PAMPHLET PRIZE 2016 Closing Date: 14 October 2016

4569434586_135x95

 

Details: Two winners will receive a royalty publishing contract from award-winning Indigo Dreams and receive 20 copies of their poetry pamphlet Submission: Full poetry pamphlet up to 30 pages 36 lines max inc line breaks.

Entry Fee: £15 per block of poems.

Contact:

All entries must be accompanied by cheque to correct amount made payable to ‘IDP’ or via PayPal.

See full submission rules at

http://www.indigodreams.co.uk/pamphlet-prize/4592772045

Postal submissions to

Indigo Dreams Pamphlet Prize, 24 Forest Houses, Halwill,

Beaworthy, Devon, EX21 5UU

Advertisements
Uncategorized

Prole Laureate Competition

Prize
Winner: £200, Publication in Prole 19 in April 2016
Publication on the Prole website
2 x runner up prizes of £50, possible publication in Prole 19
Publication on the Prole website

Judge
KateWe’re thrilled to have Kate O’Shea as our judge this year. One time tabloid hack, Kate is probably the best-known unknown poet in Dublin and is widely published in international journals, anthologies and online. Her latest publications were in The Saranac Review, Orbis, Cyphers, Outburst, and Prole. Her chapbook, Crackpoet, is available on Amazon. She was short listed for the Cork Literary Review Poetry Manuscript Competition and the Patrick Kavanagh Award twice. Most recently she has been nominated for a Pushcart Prize in America. Kate’s work has featured on radio and has been translated into several languages.
Eight new poems will be published later this year in three anthologies.
To read some of Kate’s recent work, click here and here.
Entries will be anonymised before being sent to judge.

Time scale
We will receive entries from October 1st 2015 to January 31st 2016.
Winners will be announced in issue 19 of Prole in April 2016 and on our website by April 20th 2016.

Details
We are, as ever, open regarding style, length and content. What we are after is poetry that epitomises the editorial values of Prole: to make writing engaging, accessible, entertaining and challenging. Quality is all.
All work must be the original work of the writer and be unpublished.

Fees
£3.00 for first entry, £2.00 for any subsequent entries.

For full details of how to enter please see our website:
http://prolebooks.co.uk/poetry%20competition.html

Uncategorized

Roundel Poetry Competition closing date May 31st

Roundel competition

First prize £100  Second prize £50  Third prize £25

Closing date: 31 May 2014

Entry fee: £3 per poem.

 

No entry form needed. Competition open to entrants aged 18 and over. Poems are welcome on any subject.

There is no limit to the number of entries per person. Each poem should be typed on a single A4 sheet.

Your name must not appear on the poem. Please enclose a separate A4 sheet with your name, contact details.

email address and title(s) of your poem(s).

Rules

Poems must be:

  • the entrant’s original work
  • written in English
  • no longer than 40 lines (not including title or dedication)
  • unpublished and not already accepted for publication

Poems will be judged anonymously and the judge will see each piece. No entrant may win more than one prize.

Judge: Abegail Morley

Winners will be announced at a prize-giving ceremony on Wed 2 July 2014 during the Tonbridge Arts Festival.

Entries and cheques to:

Eric Beston, Roundel Poetry Competition, 26 Dry Hill Park Road, Tonbridge, Kent TN10 3BN.

Cheques payable to Eric Beston (Roundel Treasurer). Please write Roundel 2014 on the back of the cheque.

 

Uncategorized

Christopher Tower Poetry Competition 2014

poetry_competition_100px

The closing date for entries is Friday 28 February, 2014. The winners will be announced on Thursday 24 April 2014.

The Christopher Tower Poetry Competition, the UK’s most valuable prize for young poets, opened for entries on National Poetry Day, and this year students between 16-18 years of age are challenged to write a poem on the theme of ‘News’.

Established in 2000, the Tower Prizes are recognised as among the most prestigious literary awards for this age group. The first prize is £3,000, with £1,000 and £500 going to the second and third prize-winners. In addition to individual prizes, the students’ schools and colleges also receive cash prizes of £150. Longlisted entrants’ poems are published on the Tower Poetry website.

The entries will be judged this year by poets Olivia McCannon, Kei Miller and Peter McDonald. The 2014 competition will build on the success of earlier competitions.  Previous prizewinners such as Caroline Bird, Helen Mort, Richard O’Brien, Charlotte Runcie, Anna Lewis, and Annie Katchinska are now gaining further acclaim in other competitions or within the publishing/ writing world.

Olivia McCannon was born on Merseyside and lives in Harlesden, London. Her Olivia
collection Exactly My Own Length (Carcanet/Oxford Poets, 2011) was
shortlisted for the Seamus Heaney Centre Prize and won the 2012 Fenton Aldeburgh
First Collection Prize. She lived for nine years in France – eight years in
Belleville, Paris – and her translations from French include Balzac’s Old
Man Goriot
(Penguin Classics, 2011), modern poetry in Poetry of Place:
Paris
(Eland, 2013) and contemporary plays for the Royal Court theatre in
London. She also writes short fiction, lyrics and libretti.

Kei Miller was born in Jamaica in 1978. He read English at the University of the West Indies and completed an MA in Creative Writing at KeiManchester Metropolitan University. His work has appeared in The Caribbean Writer, Snow Monkey, Caribbean Beat and Obsydian III. His first collection of short fiction, The Fear of Stones, was short-listed in 2007 for the Commonwealth Writers First Book Prize. His first poetry collection, Kingdom of Empty Bellies, was published in March 2006 by Heaventree Press; his second, There Is an Anger That Moves, was published by Carcanet in October 2007. He is also the editor of Carcanet’s New Caribbean Poetry: An Anthology. He has been a visiting writer at York University in Canada, the Department of Library Services in the British Virgin Islands and a Vera Ruben Fellow at Yaddo, and currently teaches Creative Writing at the University of Glasgow.

.
Peter McDonald is the Christopher Tower Student and Tutor in Poetry in the English Language at Christ Church, Oxford.  His publications include Peter_McDonald_smileLouis MacNeice: The Poet in his Contexts (1991), Mistaken Identities: Poetry and Northern Ireland (1997), Pastorals (2004) and The House of Clay (2007).  Torchlight was published in 2011 and his Collected Poems in 2012, both by Carcanet.

.

imagesCAXLLD92The competition is open to all 16-18 year-olds who are in full or part time education in the UK, and students and schools can find out more information about the prizes and associated future events at www.towerpoetry.org.uk/prize,  or email info@towerpoetry.org.uk or call 01865 286591. Follow the competition on Facebook, or @TowerPoetry on Twitter or YouTube.

Uncategorized

The Kent and Sussex Open Poetry Competition

The Kent & Sussex Poetry Society Open Competition

The deadline for the 2014 competition is 31st January 2014. The Judge is Pascale Petit and she will read all the submissions.Pascale_Petit_credit Kaido Vainomaa

First prize: £1,000
Second prize: £300
Third prize: £100
Plus 4 x £50

How to enter:

 

1. The competition is open to anyone aged 16 and over.
2. Poems should be in English, unpublished, not accepted for publication, and must be your original work.
3. Poems may be on any subject and in any form or style. They must be typed and not longer than 40 lines.
4. Each poem must be typed on a separate sheet of A4 paper. All poems are judged anonymously and should not bear your name, nor any other form of identification. On a separate sheet of A4 paper you should give a: your name and address, b: a list of poems submitted, and c: where you heard about the competition.
5. Please enclose a stamped addressed envelope for receipt of entry if required (marked RECEIPT) or for results sheet (marked RESULTS – published mid-March 2014)
6. Any number of poems may be submitted on payment of the appropriate fee: £5 per poem, or for 3 or more poems £4 each. Cheques and postal orders should be made payable to KENT & SUSSEX POETRY SOCIETY. No stamps foreign currency accepted. Pounds Sterling or Sterling Drafts will be accepted.
7. The winners will be notified by post. No person may win more than one prize. The prize-winning poems will be published in the Society’s Poetry Folio in September 2014 (available £3 from the address below). Poems cannot be returned to the contestants. The decision of the adjudicator will be final, and there can be no correspondence concerning the result.
8. Entries should be addressed to: The Competition Organiser, 26 Courtlands, Teston, Maidstone, Kent, ME18 5AS.(Please note: A4 envelopes require ‘Large Letter’ postage)

Entry form not required. This leaflet may be photocopied. Or download details from their website.

Results will be published on their website mid-March.

Sue Rose

Featured Poet: Sue Rose

Sue Rose
15B02031929
(from the Heart Archives)

It had been so long since she’d heard
the reassuring pace of another’s heart
at her ear—she pressed her head
here, below my shoulder’s hard
girdle and the soft upper of my breast,
and slipped into the worn rest
of the old, soothed by the serenade
of my heart, its secrets husbanded;

she’d slept alone in their double bed
for years, silence ballooning around her,
but I sat rigid, oppressed by her need,
when I should have hugged this woman
who once listened to my heart’s patter
inside her, I should have stroked her head.

Sue Rose works as a literary translator and has published various novels, libretti and plays in translation. Her poetry has appeared in a variety of magazines and anthologies and she has been commended or placed in competitions such as the National Poetry Competition, the Peterloo and the Wigtown. She won the Troubadour Poetry Prize in 2009 and the Canterbury Festival Poet of the Year Competition in 2008. She has recently started tutoring for organizations like Oxford University and the Chateau Ventenac in France.
Her debut full-length collection, From the Dark Room, was published by Cinnamon Press in 2011. “This collection is rich with the life of the body, with flesh, seed, sex, blood, birth, family love, all in language that is brave and tender.” (Gillian Clarke).

Reviews here: http://londongrip.co.uk/2011/10/poetry-review-autumn-2011-rose-stein/
and http://sheenaghpugh.livejournal.com/71406.html
Other links: http://peonymoon.wordpress.com/2011/10/06/sue-roses-from-the-dark-room/

The featured poem is from Heart Archives, a chapbook to be published by Hercules Editions in February 2014. For more information and/or to get involved, see: http://www.indiegogo.com/projects/heart-archives

A second collection, The Cost of Keys, is due out from Cinnamon in November 2014.

Uncategorized

National Poetry Competition

Nat pot

The closing date is 31 October 2013 (midnight, UK time). If you would rather enter by post,
print a postal entry form [PDF].

Prizes

First Prize: £5000
Second Prize: £2000
Third Prize: £1000
Seven Commendations: £100

The top-three winning poems will be published in Poetry Review. The winner is also invited to read at the Ledbury Poetry Festival in July 2014. Up to 150 entrants will also be offered a discount on selected activities from the Poetry School. Winning and commended poems will be published on the Poetry Society website when the competition prizes are announced in spring 2014.

Judges

The judges of the 2013 National Poetry Competition are: Julia Copus, Matthew Sweeney and Jane Yeh. The National Poetry Competition is an award for individual poems that are previously unpublished. Each entry remains anonymous throughout the judging process.

Entry fees

£6 for your first poem
£3.50 for each subsequent entry in the same submission.
FREE second entry for Poetry Society members (including those joining now).

About the National Poetry Competition

Established in 1978, the Poetry Society’s National Poetry Competition is one of the world’s biggest and most prestigious poetry contests. Winners include both established and emerging poets, and for many the prize has proved an important career milestone. Win, and add your name to a roll-call that includes the current UK Poet Laureate Carol Ann Duffy, Tony Harrison, Ruth Padel, Philip Gross and Jo Shapcott. Read poems by previous winners of the National Poetry Competition.

Uncategorized

Advice from a poetry judge: Pascale Petit interview

power-of-poetry-logo

This year I was delighted when Pascale Petit agreed to judge The New Writer Poetry Competition. She has five collections, and her sixth, Fauverie is due out from Seren in 2014. Her eye for detail (she was editor of Poetry London for 11 years), expertise (she is a co-founding tutor of The Poetry School), and string of awards (including being shortlisted for the TS Eliot Prize three times!) make her the perfect competition judge. Entering competitions can be costly, so it is important to get it right. Here are some suggestions from Pascale.

AM: What was the first competition you entered?

Pascale_Petit_credit Kaido VainomaaPP: This is so long ago that I can’t remember! But I do remember entering the South West Poetry Competition in 1993. I entered it because the judges were Peter Redgrove and Penelope Shuttle. There was the shock of the phone ringing to tell me I’d won and would get a cheque for £500, which was a lot of money then. I asked which poem they’d chosen because I’d entered several, and when they said ‘Eisriesenwelt’ (set in the Ice Giants’ Cave in Austria) I said to myself, “they’ve made a mistake”. I’d also entered a poem called ‘The Frozen Waterfall’ and thought that was better. It was instructive to reread my winning entry through the judges’ eyes after it had been severely criticised by a magazine editor. I must have stuck it in the batch just in case that editor was wrong. Five years later both poems appeared in my first collection Heart of a Deer.

AM: If a new poet wants to enter the competition market what advice would you give?

PP: Follow the rules carefully. Submit your best poems. Edit them until they are their best, proofread them with a ruler, to catch all typos, so as not to appear careless. But before you enter any competitions, read contemporary poetry widely and deeply. See what your peers are doing, what’s possible, how they use language, construct a poem. Read contemporary and classical poetry in translation as well – see what other cultures are doing with poems. Think about what you have to offer that is yours. Then check that each of your lines is, as Robert Frost said, “a fresh look and a fresh listen” at your subject. Keep a record of what you send where, a logbook helps.

AM: Do you think entering competitions is a good way of becoming recognised?

PP: It can be, though luck is most of it. It’s harder to win competitions than get published in magazines, because of the sheer volume of entries, but the advantage is that you enter anonymously, so your reputation or lack of one is irrelevant.

AM: What competitions have you judged and what did you get out of them?

PP: I’ve judged a few, including the InterBoard Poetry Community (IBPC), the Guardian workshop, the Café Writers, and this year I’m judging the Poetry London competition. When I was poetry editor at Poetry London I used to be one of the sifters for the thousands of entries to find the top 500 for the judge. Judging gives me an insight into what makes a poem stand out, though it would be hard to define what that is, and each winning poem often extends my idea of what that might be. The final shortlist of ten or twenty are the ones I live the longest with, trying to decide which gets what and why.

AM: Should an entrant swot up on the judge’s work before entering their competition?what_the_water_gave_me_cover

PP: I don’t think an entrant should enter poems that they think are closest to the judge’s tastes. I do notice a lot of people seem to do that! I see many poems that are ekphrastic or ‘confessional’, just because I’ve been labelled as those things. My tastes are broad and I’m not really looking for poems like mine. I want to be surprised.

AM: Is it best to begin by entering small local competitions or hop straight into the biggies?

PP: Probably, as there’s more chance of getting a prize, fewer entrants, fewer published poets entering. But why not try the biggies as well?

AM: Thank-you!